Censorship as an Investment: Turn Two Cents Into $311,562!

Press Freedom Index 2021, by NordNordWest. Creative Commons Attribution-Share Alike 3.0 Germany license.
Press Freedom Index 2021, by NordNordWest. Creative Commons Attribution-Share Alike 3.0 Germany license.

Writing at Antiwar.com, Natylie Baldwin reports on letters sent in October by the US Treasury Department to American writers Daniel Lazare and Michael Averko, threatening fines of up to “$311,562 or twice the value of the underlying transaction.”

The “underlying transaction” in question? Getting paid to write for a publication the US government disapproves of: The Strategic Culture Foundation, a Russian think tank sanctioned by the Treasury Department because it’s regarded as an arm of the Russian state.

Yes, you read that right: Putting in one’s two cents on current affairs (the SCF’s focus) can yield a profit of more than 1.5 million percent!

Unfortunately, that investment return runs in the wrong direction — out of the writer’s portfolio and into the US Treasury.

Although I’ve run across the Strategic Culture Foundation’s articles here and there, and recognize the names of some of the authors whose work appears on its site, I can’t claim any great familiarity with its editorial line or funding sources.  For all I know, it really IS a Russian state medium associated with that regime’s intelligence service and Ministry of Foreign Affairs.

In other words, SCF may be the equivalent of the US government’s Voice of America, Radio Free Europe/Radio Liberty, Radio y Television Marti, Center for Strategic and International Studies, et al.

If so, well … so what?

The First Amendment’s freedom of speech and press clauses make no exceptions for speech or writing published in foreign media, or speech or writing for which the writers or speakers are paid. Nor, the US not being at war with Russia, is there any question of, say, treason (“adhering to their Enemies, giving them Aid and Comfort”) involved.

Last time I checked, the US Constitution, as “Supreme Law of the Land,” outweighed Executive Order 13848, under which the Treasury Department issued its threats against Lazare and Averko.

Writing for a foreign publication, even a state-funded or -operated publication, even for money, is not a crime.

Threatening writers for doing so is a crime in both the legal and moral sense.

Since 2002, the United States has fallen from 17th place to 44th place on the Reporters Without Borders global press freedom index. Need we wonder why?

US president Joe Biden says that “a free press is essential to the health of democracy.” If he means it, he’ll forbid future use of  his predecessor’s Executive Order 13848 to impose censorship under threat of financial punishment.

Thomas L. Knapp (Twitter: @thomaslknapp) is director and senior news analyst at the William Lloyd Garrison Center for Libertarian Advocacy Journalism (thegarrisoncenter.org). He lives and works in north central Florida.

PUBLICATION HISTORY

Elections: Is There Light at the End of the “Big Lie” Tunnel?

Leviathan, by Thomas Hobbes. Photo by Z thomas. Creative Commons Attribution-Share Alike 3.0 Unported license.
Leviathan, by Thomas Hobbes. Photo by Z thomas. Creative Commons Attribution-Share Alike 3.0 Unported license.

“Technically, the next attempt to overthrow a national election may not qualify as a coup,” Barton Gellman writes at The Atlantic. “It will rely on subversion more than violence …. If the plot succeeds, the ballots cast by American voters will not decide the presidency in 2024.”

There’s nothing new about claims that an election was stolen, or is about to be. The phenomenon stretches back into the 19th century —  most famously the 1876 presidential election, which was arguably stolen from Democrat Samuel J. Tilden on behalf of Republican Rutherford B. Hayes.

Of the six presidential elections since 2000, at least four have generated loud claims of fraud. Democrats complained of judicial  skulduggery in Florida in 2000 and voting machine rigging in 2004. In 2016, Democrats asserted “Russian meddling” to explain Hillary Clinton’s loss to Donald Trump, while Trump (and Republican supporters) insisted in both 2016 and 2020 that he could only lose (and lost) if the election was “rigged.”

And, to be fair, the two major parties use ballot access laws and debate participation schemes to rig EVERY presidential election, and most other elections, to preclude the possibility of a competitive independent or third party candidacy.

Democrats are already sowing the seeds for claims of a rigged 2024 election with credible complaints about Republican efforts to, well, rig the 2024 election.

In a 2016 column, I pointed out the danger that casting doubt on election credibility represents to the United States as we know it. History is full of  coups (real ones, not annoying riots), revolutions, and civil wars sparked by arguments over who gets to be in charge. America is not immune to that possibility.

But for libertarians and anarchists like me, there’s a potential up side to this growing distrust of election outcomes.

The next step after losing trust in the integrity of the election system and the honesty of the outcomes that system announces is losing trust in the idea of elections as a way to settle our differences.  That could be a very good thing, as long as we don’t replace elections with monarchs or other rulers for life.

The problem with politics is not who we put in charge, or how we put them in charge. It’s THAT we put them in charge.

As military strategist Carl von Clausewitz pointed out, “war is the continuation of politics by other means.” Conversely, politics is the waging of war by other means.

Thomas Hobbes described the state of nature as “the war of all against all” and prescribed government as the cure. He got it exactly backward.

Putting something — anything, no matter how trivial — under the control of politicians amounts to declaring eternal, unceasing war over that thing.

The best solution to the perceived problems of election “rigging,” election “meddling,” etc., isn’t to resign ourselves to dictatorship, or even to seek more trustworthy elections. It’s to cut the power of government down so much that elections become too unimportant to bother “rigging” or “meddling in.”

We can have politics, or we can have peace. We can’t have both.

Thomas L. Knapp (Twitter: @thomaslknapp) is director and senior news analyst at the William Lloyd Garrison Center for Libertarian Advocacy Journalism (thegarrisoncenter.org). He lives and works in north central Florida.

PUBLICATION HISTORY

All Should Be Free in America

George Chakiris leads the Sharks against the Jets and the State. Public domain.
George Chakiris leads the Sharks against the Jets and the State. Public domain.

Six decades later, America’s headlines could remain in “America.”

Memorials to Stephen Sondheim didn’t have to search far to find parallels between the musical West Side Story and a United States disunited by class and ethnic strife in 2021.  Sondheim’s lyrics “Everywhere Grime in America, Terrible Time in America” became Jacobin‘s headline for an anniversary retrospective on the 1961 film version two weeks before his passing on November 26.

Meanwhile, current-year academic contentions that “white identity is intrinsic to Western ideas about liberty” may as well have borrowed the couplet “Life is all right in America/if you’re all-white in America.”

Less fashionable are sentiments celebrating the right to be “free to be anything you choose” nearly two decades before Milton Friedman popularized a shorter version of the phrase. In contrast to the rejoinder that this meant a mere freedom “to wait tables and shine shoes,” Friedman documented how economic restraints, rather than their absence, trapped workers in low-paying jobs and kept goods out of reach of consumers.

Sondheim’s paeans to expanded personal options were likewise echoed at the end of the 1960s in Karl Hess’s “libertarian insistence that men be free to spin cables of steel, as well as dreams of smoke.”  Hess noted the emerging libertarian movement’s break with “patriots who sing of freedom but also shout of banners and boundaries.” West Side Story‘s wayward youth, faced with prejudice and legal harassment, refuse to be barred from the “sweet land of liberty” of another song named “America.”

Esquire‘s critic Dwight Macdonald saw West Side Story as replacing a “lively and disrespectful” musical style with a “schmaltzy” one at odds with urban grit. Ironically, the same Macdonald championed the cultural ferment of city-states “riven by faction, stormy with passionate antagonisms” squelched by the “uniformity and agreement” needed for “that achievement of power over other countries that is the great aim of modern statecraft.” As Hess observed in writings like Neighborhood Power, the decentralization of politics to the smallest possible scale need not result in social devolution. Freedom of choice has enough room for all of us.

New Yorker Joel Schlosberg is a senior news analyst at The William Lloyd Garrison Center for Libertarian Advocacy Journalism.

PUBLICATION/CITATION HISTORY

  1. “All Should Be Free in America” by Joel Schlosberg, Anchorage, Alaska Press, December 3, 2021
  2. “All should be free in America” by Joel Schlosberg, Kenosha, Wisconsin News, December 4, 2021
  3. “All Should Be Free in America” by Joel Schlosberg, OpEdNews, December 7, 2021
  4. “Six decades later, America’s headlines could remain in ‘America.'” by Thomas L. Knapp [sic], The Glasgow [Montana] Courier, December 8, 2021