Bon Voyage, David Brooks (and Let Laissez-Faire Come Back!)

“PRINCE KROPOTKIN, NIHILIST, DIES AT 79: Russian Geographer and Author’s Last Days Spent in Moscow in Privation” was how The New York Times headlined its obituary for the anarchist renowned as a champion of individual freedom outside of state capitalism and communal cooperation independent of state socialism. Public domain.

When David Brooks claims that his preferred “moderate conservative political philosophy” is in 2026 “so fantastically successful … that moderate Republicans are now the dominant force in American politics,” his intentional sarcasm is clear before the fourth paragraph of his final New York Times column (“Time to Say Goodbye,” February 1): “I’m kidding.”

Even if a reader missed out on the decades of Brooks’s commentary as resolutely as literally-frozen-in-time Futurama protagonist Philip J. Fry, its remainder would beg for the response of Fry’s snarky robotic sidekick Bender: “Oh wait, you’re serious. Let me laugh even harder.”

The very next paragraph, Brooks sees “a weird market failure” failing to provide programs addressing “the fundamental questions of life” (like Cosmos and Star Trek?) and asking “Does America still have a unifying national narrative?” without specifying when one ever existed.

To Brooks, the 2003 of his earliest op-eds was a time before widespread suspicions “that experts are not to be trusted, that elites don’t care about regular people.”  He should have heeded the line in The Matrix Reloaded, as applicable to those thronging theaters that year as its in-universe insurgents, on how “we well know that the reason most of us are here is because of our affinity for disobedience.”  A “faith that capitalism when left alone would produce broad and stable prosperity” would have had to explain the long-burst dot-com bubble well before the housing bubble followed (both inflated by the political patronage implied to have left it alone).

The twentieth century is at least distant enough by now to understand how Brooks’s non-total recall pigeonholes the Sixties counterculture as one “less conformist … more creative than the one that came before, though also one that was more atomized” — not one that Reason magazine’s Jesse Walker could quip “gave us both drum solos and drum circles.”

It’s even easier to recount the turn-of-the-twentieth-century Progressives moving beyond the nineteenth’s supposed “social Darwinist culture, with its individualistic, survival-of-the-fittest emphasis” that would eventually recur in “four decades of hyperindividualism” culminating in the “nihilism personified” of Donald Trump.  After all, even most historians of the period ignore how many of the Progressives, rather than seeking Brooks’s “antidote to nihilism,” remained advocates of the Henry George for whom “all that is necessary for social regeneration is included in the motto of those Russian patriots sometimes called Nihilists—’Land and Liberty!'” Both sides of Georgism derived from the Herbert Spencer who insisted that far from endorsing or excusing “the rebarbarizing effects of the struggle for existence carried on by brute force,” he “had chosen the expression ‘survival of the fittest’ rather than survival of the best because the latter phrase did not cover the facts.”

Brooks acknowledges that “the Iraq war shattered America’s confidence in its own power” (while omitting his role in promoting it).  Cynics who seek not “permission to embrace brutality” but what the Council for Democratic and Secular Humanism’s Tim Madigan calls “an enjoyment of worldly pleasures, and a disdain for worldly power” could warn future pundits about similar blunders.

New Yorker Joel Schlosberg is a senior news analyst at The William Lloyd Garrison Center for Libertarian Advocacy Journalism.

When Life Hands Trump the Epstein Files, Trump Makes Lemon Aid

Citrus x limon, lemon on tree, Coín, Spain

On January 29, secret federal police (“Homeland Security Investigations”) arrested journalists Don Lemon and Georgia Fort for covering, and activists Trahern Jeen Crews and Jamael Lydell Lundy for planning and organizing, a protest at a St. Paul, Minnesota church.

Arresting two journalists for covering an event most Americans correctly condemned — if you want to hold a protest during a religious service, hold it somewhere other than in the church — is a great way to create a “chilling effect” on journalism … and distract the public’s attention from other events.

If Crews and Lydell did indeed to conspire to violate the rights of others (a crime under 18 U.S.C. §241) and to interfere with religious worship (a crime under 18 U.S.C. §248), they’ll hopefully be held to appropriate legal account.

But covering such events as news isn’t a crime. It’s unlikely that the charges against Lemon and Fort will avoid dismissal by a judge and make it all the way to trial, and even more unlikely that a jury will convict them. Their arrests were part of a public relations campaign. Look! Shiny object!

So, why arrest them on January 29?

For the same reason president Donald Trump picked that day to declare yet another fake “state of emergency,” this time concerning the sudden and urgent importance  of the “Threats to the United States by the Government of Cuba” that US presidents have asserted periodically over the last 72 years.

On January 30, the US Department of Justice three million pages of documents, 2,000 videos, and 180,000 images pursuant to its halting, overdue, and partial compliance with the Epstein Files Transparency Act. Another three million pages are, according to federal prosecutors, “potentially responsive” the law’s requirements, but DOJ says it’s done bothering with little things like obeying the law where the late sexual predator Jeffrey Epstein is concerned.

Don’t look, Ethel! (Too late).

At least 4,500 of the three million documents mention Trump himself. Those mentions include evidence that he associated with Epstein for longer, and until later, than he’s previously claimed, and that he flew on Epstein’s private jet more times than he’s previously admitted. They also include allegations — not proven — of his involvement in the sexual abuse of minor girls and the murder of an infant born to one of those girls.

Other documents in the tranche shed light on (or at least bring heat on) Epstein’s relationships with  powerful people such as Bill Gates, Elon Musk, Howard Lutnick, and Trump’s prospective nominee to head the Federal Reserve, Kevin Warsh.

Kinda makes one wonder what’s in the files they AREN’T releasing, doesn’t it?

I guess I can see why Trump and friends picked January 29 to pour some Lemon aid into the ol’ news cycle.

Nice try, but no Cuban cigar.

Thomas L. Knapp (X: @thomaslknapp | Bluesky: @knappster.bsky.social | Mastodon: @knappster) is director and senior news analyst at the William Lloyd Garrison Center for Libertarian Advocacy Journalism (thegarrisoncenter.org). He lives and works in north central Florida.

PUBLICATION/CITATION HISTORY

Kennedy Center: Don’t Mend It, End It

Photo by Dclemens1971.  Creative Commons Attribution 4.0 International license.
Photo by Dclemens1971. Creative Commons Attribution 4.0 International license.

After only two weeks on the job, The Hill reports, Kevin Couch resigned in late January as head of artistic programming at the John F. Kennedy Center for the Performing Arts.

Couch’s brief tenure might seem surprising, but a better question is why Couch sought or accepted the position in the first place.  With a reasonably impressive record dating back 30 years as a drummer, manager, and midwest talent booker, why swim toward a sinking ship?

And a better question yet is: Why bother to keep that ship afloat at all?

In early 2025, US president Donald Trump fired the Center’s board of trustees, appointed new trustees who elected him chairman, then had the building vandalized to add his name. White House press secretary Karoline Leavitt announced that henceforth the institution would be known as the “Trump-Kennedy Center,” even though neither Trump nor Leavitt nor the trustees control its name (Congress does).

Since then, most stories coming out of the Center have consisted of “so and so quit,” “such and such artist or act canceled,” etc.

What I haven’t really seen is much in the way of suggestions that it’s a great time to dissolve the “public-private partnership” behind the Center, auction off its assets, and let the private sector fulfill whatever demand might exist for the events typically held there.

Well, fine — I’ll suggest exactly that myself, then.

The Kennedy Center receives about $40 million in taxpayer money for operations, maintenance, and facilities needs, and additional funding for “capital repair and restoration.” That’s the “public” part of the “public-private partnership.”

With a combined seating capacity of about 6,700 across its three major performance venues (the Concert Hall, the Opera House, and the Eisenhower Theater), that comes to nearly $6,000 per year per seat in annual government funding — not including the repair/restoration money.

That’s before hundreds of millions of dollars annually in “private” donations, ticket  sales, and so forth.

Oh, and the Center’s endowment is pretty flush, too: It has more than half a billion dollars set aside for a rainy day.

More than 100 million Americans attend live concerts every year, and will continue to do so with or without the Kennedy Center.

More than 25 million Americans attend live stage productions every year, and will continue to do so with or without the Kennedy Center.

So far as I can tell, those web search figures don’t include smaller acts in nightclubs and so forth.

Why are the taxpayers shelling out $40 million per year to do a job the private sector clearly has well in hand?

Instead of arguing about the name, making it a political football, and trying to track down talent to keep an ailing institution in business, cut it loose to sink or sail.

Thomas L. Knapp (X: @thomaslknapp | Bluesky: @knappster.bsky.social | Mastodon: @knappster) is director and senior news analyst at the William Lloyd Garrison Center for Libertarian Advocacy Journalism (thegarrisoncenter.org). He lives and works in north central Florida.

PUBLICATION/CITATION HISTORY