All posts by Joel Schlosberg

Can’t Stop the Bookstore

Jeff Bezos at the Pentagon. Public domain.

Amazon.com’s plans to establish  a pay minimum of $15 an hour for all its domestic workers (Day One: The Amazon Blog, October 2) come across as the real-life version of Mr. Burns from The Simpsons turning his nuclear power plant into a community garden. The Internet sales Goliath is by far the largest company to have taken up a wage floor that is among the main demands of critics of its labor practices, with Amazon CEO Jeff Bezos inspiring Senator Bernie Sanders’s Stop Bad Employers by Zeroing Out Subsidies Act. Sanders has pivoted to commending the same Bezos his “Stop BEZOS” proposal demonized.

Has the avowed socialist simply accumulated enough political power to beat up on business with a long-shot bill symbolizing the force of piecemeal lesser measures? Or has a well-meaning but impractical gesture lucked into sparking a real concession?

Critics point out that the specific mechanic of the Act — taxing larger companies the full amount their employees get from welfare programs — suffers from the perverse incentive of making it less worth employers’ while to hire the most impoverished applicants. Yet it is not simply the case, as Jonathan Chait protests, that “social welfare benefits workers, not their bosses.” In observing that measures seemingly championing the underdog can in fact become corporate welfare, Sanders is more perceptive than Chait. Sanders grasps the outlines of “corporate liberalism” as exposed by a half-century of research by historians like Gabriel Kolko, James Weinstein, and Joel Spring.

Amazon’s promise that “our public policy team will work with policymakers in Washington, D.C., to advocate for a higher federal minimum wage” is merely the latest example of dominant firms collaborating with government to design regulation they welcome because its costs fall most heavily on others. From safety measures (Kolko’s “The Triumph of Conservatism: A Reinterpretation of American History, 1900-1916”), to transportation infrastructure (Kolko’s “Railroads and Regulation, 1877-1916”), to workforce training (Spring’s “Education and the Rise of the Corporate State”), legislative mandates and standardized requirements stop competitors from doing things better for less, and often from even entering the market in the first place.

In attempting to take back such ill-gotten gains, the Stop BEZOS Act doesn’t go far enough. Money would be left in the pockets of the neediest by measures like the Mobilization for Incremental Tax Exemption — an across-the-board removal of the lowest income earners from the tax rolls endorsed by both William Lloyd Garrison Center for Libertarian Advocacy Journalism director Thomas Knapp and “Bernie: A Lifelong Crusade Against Wall Street & Wealth” author Darcy Richardson.

Opportunities to earn more would expand as structures of corporate liberalism recede. The book industry, for instance, would no longer be artificially routed through an Amazonian mega-river — on Beltway-built ships — but would tend to eddy around the communities it serves. It would look less like a centralized Amazon warehouse than like the local touch and personal service of year-old Kew & Willow Books of Queens, New York — founded by employees of a nearby closed Barnes & Noble with knowledge of the trade and the neighborhood.

New Yorker Joel Schlosberg is a contributing editor at The William Lloyd Garrison Center for Libertarian Advocacy Journalism (thegarrisoncenter.org).

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The Madness of the Academy

Dolby Theatre Oscar WinnersThe Academy Award for Outstanding Achievement in Popular Film isn’t winning many popularity contests itself. The announcement on August 8 of the newest “Oscar” has been received with far less enthusiasm than this year’s megahit movies like “Black Panther” and “Mission: Impossible — Fallout” that will vie for the statuette.

The new award’s intended purpose is to supplement a Best Picture trophy consistently won over the last decade by films appealing mainly to the Academy’s insider circle, despite popular movies being included in an expanded slate of nominees. After all, the big bucks spent by mainstream moviegoers are what not only turn big-budget movies into blockbusters but, via advertisers, pay for the Oscars telecast.

Instead, both industry professionals and the general public have made it overwhelmingly clear that they’re more insulted than intrigued. As populist outreach, it comes off as phony as Nurse Ratched rigging the vote on which TV program her patients can watch in the Oscar-winning “One Flew Over the Cuckoo’s Nest.” The misfire exemplifies what cartoonist Jules Feiffer called the “ignorance of authority,” satirized in his Best Animated Short winner “Munro,” in which officials maintain that the four-year-old of the title is a diminutive adult.

In “Karl Hess: Toward Liberty,” which won the Academy Award for Best Documentary Short Subject in 1981, Hess observed that “if energy can be picked up from any point on the earth, it sort of suggests to you that you don’t need central mechanisms, that you can produce important things at a local level.” This applies just as much to creative energies that inspire filmmaking as to the solar energy that powered Hess’s house. Critic Jonathan Rosenbaum noted the irony of Hess’s message being “delivered courtesy of the Academy and AT&T’s Bell System” while the onetime political insider talked of leaving such “big organizations” behind. Yet film production and distribution have already been steadily evolving in Hess’s decentralist direction; even the major studios have moved on from the era shown in “Hail, Caesar!” of filming their Biblical epics, musicals and Westerns all within the same backlot.

While Guillermo del Toro won the most recent Best Director award for the esoteric “The Shape of Water” rather than for one of his crowd-pleasers like “Blade II” or “Pacific Rim,” his arthouse and multiplex fare both illustrate the contention in his acceptance speech that “the greatest thing our art does, and our industry does, is to erase the lines in the sand. We should continue doing that when the world tells us to make them deeper.”

Maybe the real issue is the notion that the Academy Awards, or any one award ceremony, should or even can be the ultimate arbiter of quality in a diverse world. The assumption that other film awards are merely lead-ins to (or the Razzies’ caricature of) the Oscars does a disservice to both. The venerable ceremony would do better competing on an equal footing with newer awards taken just as seriously than as the center of attention by default.

New Yorker Joel Schlosberg is a contributing editor at The William Lloyd Garrison Center for Libertarian Advocacy Journalism (thegarrisoncenter.org).

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The Race is On: Uber versus the Real Sharing Economy

A new kind of ride has arrived just in time.

Early in February, hundreds of Uber drivers converged on the company’s office in Long Island City, Queens to object to sweeping fare reductions.  Drivers must charge 15 percent less — while still paying Uber the same percentage, plus the ongoing vehicular expenses.  All with no tips allowed.

Uber justifies the fare cuts as a response to a slow season, and asserts that drivers make up the difference from shortened waiting times between gigs.  It remains unclear why there should be a better view of such conditions from the boardroom than from the street.

For that matter, why can’t such a service be street level through and through?  Mere weeks after the Uber strike, Christopher David is launching the Arcade City platform, which he describes to CoinTelegraph as “a decentralized Uber” whose earnings “won’t go to line the pockets of investors or sustain a corporate hierarchy” but “will be reinvested in our drivers, and in improving the customer experience. … Arcade City will decentralize [fare pricing] decisions to the level of the driver and their customers.”

Worker ownership models don’t depend on unproven technology.  Creator-owned comics publishers have been viable since the brick-and-mortar early 1990s.  An era of apps and Internet ubiquity enables similar enterprises in a variety of fields that will only increase.

So why is the ridesharing field dominated by a handful of big for-profit companies like Uber and Lyft?

Maybe it’s because, for all their clashes with the existing municipal regulatory infrastructure, they’re not all that different from it.  As David notes, “Uber’s approach is to push governments to regulate ridesharing in a manner favorable to their particular business model, stacking the deck against smaller competitors.”

Thus, while the number of traditional cab drivers is strictly limited, the Uber model merely shifts such restrictions to more subtle forms.  If repealing such regulations altogether seems too drastic — the medallion system was seen as a way to prevent a race to the bottom in fares — the ones that most directly suppress worker organizing and wages would be a good start.  And with drivers taking advantage of local knowledge of demand of what riders are willing to pay, it might be the intermediaries who see their earnings race to the bottom.

Only time will tell if Arcade City will succeed.  But the smart money’s on something more like it than Uber — if given the chance.

New Yorker Joel Schlosberg is a contributing editor at The William Lloyd Garrison Center for Libertarian Advocacy Journalism (thegarrisoncenter.org).

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